Brisbane’s Idylls deliver a half-hour of concussive noise metal in their third full-length record, The Barn.
Since 2011, this Australian quartet have been perfect their chaotic craft through a handful of splits, EPs and two hellacious full-length releases. The most recent of these aforementioned full-lengths, 2014’s Prayer for Terrene, sat at the apex of this evolution of madness: unleashing a maelstrom of off-kilter mathcore awash with noise and spiced with zany saxophone accompaniment. It was like a fiery collision between the most frenetic of Converge‘s material and the erratic weirdness of John Zorn’s Naked City. In short, Prayer for Terrene was insanity incarnate. Continue Reading