Armed with intricate guitar work, impeccable sense of groove, and a pervasive dark tone, Knaaves’ unique blend of metallic hardcore is punishing and memorable all at once. This is made evident on the Milwaukee-based band’s debut release, January; a two-song single that is equally atonal and melodic, crushing and catchy. If the solid songwriting and potent lyrics on this record are any indication of where the band will go, it would be safe to say that Knaaves will be soon be a name on the tip of every punk’s tongue.
In this recent interview, Svbterranean caught up with frontman Andy Parmann to discuss the evolution of the band, the new EP, and combating misogyny.
Photo by Angelo Rossi
Toronto, ON’s Holy Grinder have been keeping busy over the past year or so, releasing splits with the likes of Capsized, Insufferable and Sete Star Sept, as well as their debut album, Eradicate All Scum. Now, the trio (featuring members of Mad Trapper, War Balm, and the Blind Surgeons Operation) are offering up their sophomore record, pleasantly dubbed Cult of Extermination. The album (out tomorrow, March 2) was masterfully recorded with Fuck the Facts’ Topon Das at his Apartment 2 studio and sees the noise-grinders taking their raw sound to new levels of crushing intensity.
In this recent interview with Svbterranean, bassist/vocalist Ei Cee discusses Cult of Extermination and what it was like working with Das. They also talk about the origins of Holy Grinder and the band’s ever-evolving sound, as well as identifying the band as queer and the lack of support for trans issues in metal and hardcore communities. Check it out! Continue Reading
On their sophomore full-length record, Viscères, Bind Torture Kill unleash dark and furious hardcore assaults that refuse to show mercy. This Lyon-based trio is armed to the teeth with grimy dissonance and volatility, resulting in an intense and chaotic listen that will have fans of the ugliest hardcore has to offer completely enamored. Although the year has just begun, the genre will be hard-pressed to crank out something as vicious as this in the months to come.
Svbterranean recently caught up with guitarist Yann Alexandre to discuss the band’s sound, the new record and more.
Brain Pick is a monthly podcast in which Marc Bourgon (Greber, Cancelled, et al) speaks to musicians, and people in the industry, about their creative process.
Weaving together elements of noise, free composition, classical, doom metal and a myriad of other influences, Ehnahre create unorthodox compositions that defy categorization. Their music sees the boundaries set forth by the genres that influence them and insist on pushing beyond them, resulting in complete avant-garde bliss. As is the case with their most recent full-length effort, The Marrow, which delivers something dark, sinister and unlike what most of extreme music has to offer.
Svbterranean recently caught up with Ehnahre’s founder and bandleader, Ryan McGuire, to discuss the new album, the avant-garde, poetry and more.
Dense, dynamic, highly complex and insurmountably heavy; Coma Cluster Void’s uniquely terrifying brand of technical death metal is something to behold. From their 2016 opus Mind Cemeteries, to their recently-released EP Thoughts From a Stone, it is clear that the sextet are on a path towards death metal greatness, refusing to sacrifice their singular artistic vision. Their music is meticulously constructed yet devastatingly chaotic, bringing together the best that technical and experimental metal has to offer.
Svbterranean recently caught up with five-sixths of the band to discuss their approach to their music, their new recording and more.
Weaving together elements of doom, drone, noise and sounds most unsettling, Gnaw create a unique sonic atmosphere that is soul-crushing and psychologically demanding. It would seem each of their releases gets more intense and outre than the last, with their third full-length effort, Cutting Pieces, sitting at the apex of this constant evolution. This 40-minute exercise in aural terror, which is now available through Translation Loss, is perfect for metalheads with masochistic tendencies.
Svbterranean recently caught up with three-fifths of the noise unit to discuss the new record, songwriting and more.
Photo by Samantha Marble
Originally from Kathmandu, Nepal, the currently NYC-based “immigrindcore” act Chepang are set to release their debut LP, titled Dadhelo – A Tale of Wildfire, on November 3. The album is the follow-up to their 2016 EP, Lathi Charge, and is a natural progression of their vicious, politically-charged grindcore/punk sound. The band build on the intensity of their dual vocal attack and take their approach to an even more extreme level, with the introduction of a second drummer.
Dadhelo – A Tale of Wildfire also incorporates more groove elements into their technically proficient style, which adds yet another layer to their chaotic crust- and powerviolence-infused grind. In this recent interview with Svbterranean, vocalist Sanket Lama discusses how Chepang came to be, the new release and how it compares to Lathi Charge. He also talks about the Nepali-based lyrical themes featured on Dadhelo – A Tale of Wildfire, how the cover art ties in with those themes and more.
On their full-length debut, Helpless unleashes a vicious amalgam of mathcore, hardcore and grind that rips the throat of those who listen. This new album, titled Debt, delivers 22 unyielding minutes of dissonant, frenetic riffs, pummeling grooves and oppressive sonic weight. It’s mission is to destroy, and destroy it does.
Svbterranean recently caught up with vocalist and guitarist Dan Couch to discuss the new album, dissonance and future plans.
Combining the raw aggression, angularity and heart of 90s post-hardcore with a healthy dose of progressive flair, NY in 64 craft dynamic, ever-evolving tunes full of pulverizing riffs and melodic flair. On their newest full-length recording, The Gentle Indifference of the Night, the band hit harder than they have before and forge seemingly endless intricate sonic passages across 30 minutes. Devoid of lyrics, NY in 64 tell engaging stories that most words wish they could tell.
Svbterranean recently caught up with bassist Tom Schlatter and guitarists Justin Hock and Chris Alfano to discuss the new record and future projects.
Photo by Kimberly Tam-Rheam