New Zealand experimental outfit Doom Shrugs is poised to release its debut full-length, The Clairolfactant and the Flatulent Ghost, on September 7 via Proboscis Trinity Records and Stupid Square Records. Utilizing free improvisation in its bizarre mix of jazz, mathcore and hardcore, Doom Shrugs creates a unique, mind-boggling sound that is unafraid to take big sonic risks. Continue Reading
Finland/Pennsylvania-based mathcore duo Fawn Limbs are set to release their debut single, “A Radiant Mass”, tomorrow, August 3. Comprised of current and former members of Mireplaner, Psyopus and more, Fawn Limbs deliver a grinding, yet groove heavy form of mathcore that brings Solace-era Ion Dissonance and Intervals-era See You Next Tuesday to mind. “A Radiant Mass”, which we are excited to present to you today, illustrates this with its 80-second burst of off-kilter, crushing guitars and spastic riff freakouts. The band said the following of the track: Continue Reading
Comparisons of bands to other, more famous, more trend-setting bands are a dime-a-dozen, with Coalesce naming an album about this and that ideas are currently recycled and have been thought of before. It is a problem for many subjects today as it perpetuates a stagnation that is not there, and also name drops bands to which the subject has nothing to do with.
I agreed to review the newest album “Deads” by Danish band LLNN, due to the comparison to phenomenal band Botch in the email. Judging by my opening statement, this was far from the truth. LLNN are nothing like Botch other than having parts that are syncopated and off-time. While this name dropping is problematic, it doesn’t mean that there isn’t a great band underneath, which is what happened with this album. Continue Reading
This Friday, July 13, Seattle metallic hardcore outfit Isdal will unveil their debut demo release. Serving as a precursor to their debut full-length, this demo is comprised of two grimy, dissonant tracks that are sure to pique the interest of fans of Cult Leader, Coalesce, and more. To celebrate its impending release, we bestow an exclusive early stream of the record upon you. The band said the following of the release: Continue Reading
Louisville noisy hardcore outfit Comess are poised to release their debut full-length, Botched & Flailed, tomorrow, June 15. Full of angular guitars, tremendous low-end, and grimy dissonance, Botched & Flailed is a brooding and ugly hardcore that packs in as much punch as possible within 28 minutes. Think of the unpredictable chaos of Coalesce crossed with the noisy grooves of Will Haven and you get a basic idea of the violence that awaits you.
In anticipation of is release, we at Svbterranean are excited to bring you an exclusive full stream of the record in all its heavy glory. Check out the goods after the break. Continue Reading
Photo by Nicolas Côté
Chicago chaos curators Nequient have officially unleashed their debut full-length album, Wolves at the Door, today via Nefarious Industries and Sassbologna Records. This experimental hardcore album melds elements of metalcore, grindcore, sludge, and practically every extreme music subgenre one can think of into a blistering and volatile amalgam. Fans of Graf Orlock, Converge and getting torn apart will not want to skip this one.
In celebration of its release, vocalist Jason Kolkey was kind enough to stop by and dissect the new record track-by-track. Check out what he had to say and stream the record after the break. Continue Reading
Chicago’s Nequient unleash over 40 minutes of atypical hardcore mayhem on their full-length debut, Wolves at the Door. Continue Reading
Two of most promising acts in mathcore come together deliver 17 minutes of disorienting fury on their new split release. Continue Reading
Mixed, Not Stirred is a weekly column in which artists curate special, themed playlists via Spotify or other mediums.
In this week’s Mixed, Not Stirred, Indonesian progressive death metallers Goddess of Fate curated a playlist highlighting the bands that influenced them as well as the Southeast Asia scene. The band said the following of the mix: Continue Reading
Blast Beats is a weekly column in which extreme music artists discuss their favorite hip-hop records.
In this week’s Blast Beats, Detach the Islands drummer Emmett Ceglia discusses his top 12 favorite hip-hop records of all time. His picks range from classic albums from Nas, to more eccentric and contemporary acts like Death Grips and Run the Jewels. Continue reading to check out his full list. Continue Reading