Hello there, readers. Lane and I came up with the idea to do a Bandcamp Spotlight to highlight some of the bands that we have trouble dedicating entire posts to. Nothing against the bands, it’s just a time issue. So, let us proceed into the first edition of SVB’s Bandcamp Spotlight series. Continue Reading
In my opinion, there are bands you love, and then there are legitimately important bands. Often times, the two will not meet. You can enjoy a band, and if you’re a reasonable person, admit that they’re not genre luminaries or trendsetters. Most bands aren’t. There’s nothing wrong with that. For example; I love Mgla, but to argue that they’re much more than just another really proficient black metal band seems silly to me. They’re not. They’re just good at relying on tropes that others have created to great effect. Godflesh, on the other hand, is not just a band I love, but a band who actually shaped heavy music in the late 80s and early 90s. And now, they’ve returned, yet again, after the stellar “reunion record” 2014’s A World Lit Only By Fire. And with this return, made the most varied album of their career.
Dense, dynamic, highly complex and insurmountably heavy; Coma Cluster Void’s uniquely terrifying brand of technical death metal is something to behold. From their 2016 opus Mind Cemeteries, to their recently-released EP Thoughts From a Stone, it is clear that the sextet are on a path towards death metal greatness, refusing to sacrifice their singular artistic vision. Their music is meticulously constructed yet devastatingly chaotic, bringing together the best that technical and experimental metal has to offer.
Svbterranean recently caught up with five-sixths of the band to discuss their approach to their music, their new recording and more.
New Zealand’s Spook the Horses continue to defy expectations with their third full-length album, People Used to Live Here.
As their career thus far has shown, Spook the Horses are not bound by genre limitations and flourish within their own artistic freedom. The band is in a constant state of evolution, unafraid to experiment with other musical styles and sounds. 2011’s Brighter was a dense, atmospheric marriage between post-rock and brooding post-metal, resulting in a enthralling dichotomy between soothing and crushing. In stark contrast, 2015’s Rainmaker retained its predecessor’s post-metal stylings, but introduced sludgier guitars and more angular post-hardcore elements into the mix. Fast-forward to 2017 and the band have once again modified their sound and the results are staggering, but in a very positive way. Continue Reading
Some of you may know that I have moved more towards the world of YouTube, where I talk about physical media multiple times a week. It’s a sweet gig that pays nothing and costs a lot. Good times. Anyway, here is my most recent album review, for one of the grandest albums of the year: Converge‘s new opus The Dusk In Us. Peep me. Continue Reading
Crossover thrash act Pissed Regardless will release a new 7″ in 2018 titled Feed The Birds and it’s gonna crush. How do I know this? Because the band has unloaded a fresh new track titled “Empty” and it ownz. Peep a stream of the song below. That 1:46 mark is a beast. Continue Reading
Norwegian black metal act Mare will unleash their new album The Ebony Tower in 2018 and I’m fucking pumped. This band has crafted amazing music in the past and The Ebony Tower is shaping up to be extreme. The band has released a track from the forthcoming album titled “These Fountains Of Darkness,” which you can check out below. SO GOOD. Continue Reading
Brooklyn’s metal obsessed post-hardcore band Husbandry are embarking on a 2 week tour across the US with fellow New York weirdo rockers Moon Tooth. Starting in Philadelphia, PA on 11/1 and returning to Amityville, NY, on 11/16, the 6000+ mile trek takes them as far west the infamous Viper Room in Los Angeles.
With a few stretches in the van as long as 15 hours, we thought it would be interesting to get Husbandry’s take on life on the road with a multi-part tour journal. Follow Arnau Bosc (bass), Jordan Usatch (guitar), Carina Zachary (vocals), and Andrew Gottlieb (drums) on their epic journey across the United States.
Their new 5-track EP Bad Weeds Never Die, is out 12/1 on Aqualamb Records, but is available early from the band on tour now. Pre-orders for the 120+ page book/cd combo are also available at http://aqualamb.bandcamp.com
Pioneers of industrial metal, Godflesh will unleash their new album Post Self this Friday and it’s going to be a doozy. The band has unveiled a new track titled “Be God” and I’m digging it hardcore. You can check out the track for yourself below and prepare your body. The Broadrick train is coming. Enoy. Continue Reading
Ulver have always been an interesting band. Starting in the early ’90s, amid the rise of Norwegian black metal, they eventually expanded their sound into an avant-garde, electronic project. Still making insanely good music, the band has unveiled a new EP titled Sic Transit Gloria Mundi, which is available now. Check out a stream of the release below and find out more here. Continue Reading